The Hotel Guarda Golf is located at Crans-Montana, the renowned Swiss skiing resort in the heart of the Canton Valais, at an altitude of 1500 m, with wonderful views and an important “Jack Nicklaus” golf course.
The hotel is midium in size, but distinguished by extreme elegance and attentive and personalised service.
The hotel features an international restaurant, another typically Valais restaurant offering traditional cuisine, a lounge area with large stone fireplace, two meeting rooms, a baby parking facility and a Spa with swimming pool and fitness room.
The Guarda Golf Spa is the showpiece of the hotel. It was designed by the firm Dada Architecture+Design of Arch. Davide D’Agostino. The accent features of the centre were to be the clean lines of the interiors and an atmosphere conveying a widespread feeling of relaxation to favour the psycho-physical well-being of guests. Starting with these inputs, the architect developed a rational layout plan – rational in terms of distribution of the interiors and, above all, rational as regards interior design.
The philosophy of this Spa therefore consists in providing excellence through simplicity: a simple location made with noble materials, to host simple but expert manual skills. A combination that ideally suits the mentality and style of the owners who hope, with this formula, to cater in an alternative way for the needs of the more discerning guests of this wonderful and singular holiday resort. Fabbian has lit up the entire Spa area and most other areas of the hotel with the Cubetto, Sospesa, Faretti, Venere, Beluga Colour, Beluga Steel, Vicky, Cricket, Style, Orbis, and From Gom collections.
Archive for the ‘New Projects’ Category
Fabbian lights up yet another exclusive 5-star hotel
Wednesday, June 16th, 2010
Showroom Blue Milano (Fantoni Group)
Wednesday, May 5th, 2010Fabbian lighting has been selected to light up the project of Blue Milano, a new group of professionals dealing in “office furniture integration”: we are speaking about a real, not a virtual portal, in which each partner company is used and therefore exalted in the best possible way.
Fabbian lighting reveals its more technical side, designing a sort of bar code on the natural wood colour false ceiling in sound-dampening material: this is the Zen Black system involving alternate direction light blocks with QR111 halogen and metal iodide light sources. The individual modules of the Zen collection, total-recessed version with fluorescent lights, are fitted inside the white plasterboard at regular intervals. The only suspension light on the first floor is Crio, in the embossed white version, enhanced by dropping on the corner room table, while the wall is washed by the recessed LEDs of the Cricket collection. Moving down to the lower floor, the stairs are stained with light from the halogen lamps fitted on the Tube collection, a model also used to provide uniformity in the corridor introducing into the offices: the comfortable desks are lit by elegant Factory suspension lights which, in the gloss white version, are consistent with the predominant colour of the entire basement; furthermore, thanks to double emission, they also allow exploiting the light reflected off the ceiling. On the false ceiling, again made of noise-dampening material, but finished in white, the fluorescent Zen system is again concealed. This system also lights the screening room. To end with, different Fabbian floor-lamp models such as Beluga Alu, Ali and Elle, provide accent lighting to most of the room corners.
